Showing posts with label Calvin Seerveld. Show all posts
Showing posts with label Calvin Seerveld. Show all posts

Monday, November 10, 2014

10 Books That Changed the Way I See





“The words you can't find, you borrow.
We read to know we're not alone. We read because we are alone. We read and we are not alone. We are not alone.
My life is in these books, he wants to tell her. Read these and know my heart.
We are not quite novels.
The analogy he is looking for is almost there.
We are not quite short stories. At this point, his life is seeming closest to that.
In the end, we are collected works.” 
–Gabrielle Zevin



   When asked for my personal list of favorite books I realized that, while I have many ‘favorites’, the books that affected measurable change in me are quite few. And so, upon reflection, I made the following list… but I must begin with two books that supersede the list:

1.    Green Eggs and Ham by Dr. Seuss
2.    The Gospel of John
The former was the first book I read ‘by myself’; the latter revealed that I am not ‘by myself’, a combination which forever changed my perspective on how to be Christ-like and human simultaneously.
The following books are in no particular order. Rather than comment on the books, I have selected an excerpt from each. The authors say it best.

Non-Fiction

The Everlasting Man by G.K. Chesterton
“Those who have fallen may remember the fall, even when they forget the height. Some such tantalizing blank or break in memory is at the back of all pagan sentiment. There is such a thing as the momentary power to remember that we forget. And the most ignorant of humanity know by the very look of earth that they have forgotten heaven.”


Rainbows For the Fallen World by Calvin Seerveld
“Artists, like inventors, seem to need the elbowroom of tense leisure to produce a drama, a novel, a concerto or a poem. And people seem to need an almost museum-like, focused relaxation before they will look at Rembrandt’s colors differently than those of a plastic tablecloth. It is this aura of taking time, of needing peace and quiet, that has bluffed the pragmatic run of activists, notably many Christian believers, into thinking art is fake, not honest work and a fruitful knowing of the world, but really a waste of time. But then they forget that not everybody should be paid by the hour and that having babies takes nine months. And they do not see the priestly service art affords, when it is right, of deepening our grasp of the richness to creation.”


Pilgrim at Tinker Creek by Annie Dillard
“Pascal uses a nice term to describe the notion of the creator’s, once having called forth the universe, turning his back to it: Deus Absconditus. Is this what we think happened? Was the sense of it there, and God absconded with it, ate it, like a wolf who disappears round the edge of the house with the Thanksgiving turkey?  “God is subtle,” Einstein said, “but not malicious.” Again, Einstein said that “nature conceals her mystery by means of her essential grandeur, not by her cunning.” It could be that God has not absconded but spread, as our vision and understanding of the universe have spread, to a fabric of spirit and sense so grand and subtle, so powerful in a new way, that we can only feel blindly of its hem. In making the thick darkness a swaddling band for the sea, God “set bars and doors” and said, “Hitherto shalt thou come, but no further.” But have we come even that far? Have we rowed out to the thick darkness, or are we all playing pinochle in the bottom of the boat?”


The Mind of the Maker by Dorothy Sayers
“When the writer's Idea is revealed or incarnate by his Energy, then, and only then, can his Power work on the world. More briefly and obviously, a book has no influence till somebody can read it.”


Walden or Life in the Woods by Henry David Thoreau
“I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.”

Fiction


Jayber Crow by Wendell Berry
“You have been given questions to which you cannot be given answers. You will have to live them out- perhaps a little at a time.”
“And how long is it going to take?”
“I don’t know. As long as you live, perhaps.”
“That could be a long time.”
“I will tell you a further mystery,” he said. “It may take longer.”


My Name is Asher Lev by Chaim Potok
“I looked at my right hand, the hand with which I painted. There was power in that hand. Power to create and destroy. Power to bring pleasure and pain. Power to amuse and horrify. There was in that hand the demonic and the divine at one and the same time.”


East of Eden by John Steinbeck
“I believe that there is one story in the world, and only one…humans are caught- in their lives, in their thoughts, in their hungers and ambitions, in their avarice and cruelty, and in their kindness and generosity too- in a net of good and evil… There is no other story. A man, after he has brushed off the dust and chips of his life, will have left only the hard, clean questions: Was it good or was it evil? Have I done well- or ill?”


“Sometimes the Bible in the hand of one man is worse than a whisky bottle in the hand of… there are just some men who- who’re so busy worrying about the next world they’ve never learned to live in this one, and you can look down the street and see the results.”


Babette’s Feast by Isak Dinesen
(Though technically a short story, Babette’s Feast had a profound impact on my concept of ‘artist’)
“'It is terrible and unbearable to an artist,' he said, 'to be encouraged to do, to be applauded for doing, his second best.' He said: 'Through all the world there goes one long cry from the heart of the artist: Give me leave to do my utmost!’"


...so, what are your 'favorites'?



Tuesday, November 19, 2013

Rule of Thirds

Excerpt from John Thomas Smith's illustrated book, Remarks on Rural Scenery,
published in 1797 defining a compositional "rule of thirds"



     In visual composition there is something known as The Rule of Thirds. The rule operates under a principle Calvin Seerveld calls, "aesthetic obedience." By dividing the composition into a grid of thirds, the artist 'leads' the viewer to a desired point, creating a common ground... a meeting place to rest.




     It seems that, as a culture, we have applied the Rule of Thirds to life:

1/3 Work (8 hours)
1/3 Free (8 hours)
1/3 Rest (8 hours)





Obviously, the breakdown is a simplification but a breakdown of sorts remains- most of us lead divided lives.




Compartmentalized lives is what we carry; a triune lifestyle resembling a chest of drawers. 'A place for everything...' Neat. Tidy.










     Maybe our lives should be more like coffee tables; a place where everything is available, but in layers:

entertaining stuff
contemplative stuff
work-stuff
beverages, remote controls...

a 'common ground' for friends and family.




A coffee table also makes a nice footrest.


 Looking Through the Window Near Our Coffee Table
by m r carter

Tuesday, September 10, 2013

...a time for embracing

A Lexicon of Hugs

     In the South, people hug. Regularly. And, depending on the occasion, the strength and duration of the hug will vary. Here is my short list of hugology:

The Greeting Hug- "I am glad to see you!"

The Obligatory Hug- "Oh, ok."

The Congratulatory Hug- "Well done!"

The Celebratory Hug- "This is a Good Day!"

The Comforting Hug- "You are not alone."

and, of course, there is the hug shared between man and wife; a hug that encapsulates decades of memories and says, "We are in this together."


     Saturday I extended the entire list, a busy day for hugs. Two of my hugs were for fathers. One father was grieving over the death of his young son, the other was rejoicing over the marriage of his son- a morning funeral and an evening wedding...

hugs remind me to be grateful for arms.


Is there a right time for everything?
There seems to be time for every kind of activity under the sun: 
time to be born and time to die,
time for planting, time for weeding out what was planted,
a time to kill and a time to heal,
time to break down and time to build up,
time to weep and time to laugh,
a time of mourning, and a time of dancing around,
time to throw stones and time to pick up stones,
a time for embracing
and a time to keep yourself far away from embracing

Ecclesiastes 3:1-5
Translated by Calvin Seerveld
Voicing God's Psalms

Sunday, January 15, 2012

Goals for 2012

"Always the living reality of Jesus Christ revealed
must be our rallying point."
Calvin Seerveld

     The Psalmist declares- "This is the day the Lord has made, let us rejoice and be glad in it!" A new year, a new day... new. Anything is possible with newness. It is the time to begin. Again. I am not given to making 'New Year's Resolutions' (I remember the classic words of Mary Poppins, promises can be like "pie crusts, easily made, easily broken"). However, I have of late been convicted, or, perhaps challenged (where is that line between inspiration and conviction) to articulate goals. So, as a matter of accountability, here are my goals for 2012:

1. Spend more time at Christ's feet
2. Strive for simplicity
3. Be more generous
4. Teach better (and more efficiently)
5. Complete, and submit, two books in progress (Long overdue)
6. Listen more, speak less

Saturday, September 24, 2011

Whiteboards, Blackboards and Wordscapes

"It is not enough to like good books.
You must be a good book yourself."
Francois de Fenelon
1651-1715

"In the beginning was the Word.."
John 1:1

Today is day seven of my fast and my books are calling to me. I love books. The affair began with Pop's Reader's Digest Condensed collection. They made a good highway for Matchbox cars. The uniform size and large quantity afforded me bridges, tunnels- even skyscrapers to frame my literary landscapes. Everything changed when one day I looked inside them. I discovered wordscapes. My Mom allowed me to join a Book of the Month club, in lieu of allowance. Still, five decades later, books remain my highway.  But it is from books I am fasting.

Sunday, my wife asked, "Why do you read so much?"
My immediate response was, "It interests me." I knew there was more but I couldn't articulate more. So I  pondered that question the rest of the day. Then it occurred to me, the truer reason why I read- first, I continually seek answers to a never ending list of questions and second, I want to know what others think.

These titles patiently await my return:
edited by Mel Ahlborn and Ken Arnold
by Philip Ball
by Philip Ball
by Christine Valters Paintner
by Steven Pressfield
by L.L. Barkat
and
by Eugene Peterson

I haven't placed all reading on hold, just 'informational pleasure' reading. For twenty one days I have chosen to read Scripture, work-related emails and student work only (I teach a creative writing class... I can't ignore their words for three weeks. If you'd like to read some of their words, click here).  I have noticed that, while I am not reading more scripture, I am 'chewing' on the text longer. After all, one of the purposes of fasting is re-focusing, restoring clarity to our time-perspectives through reflection, or as they say in the South, "Chewin' on somethin' different for a spell." As an aside, I've noticed notes and drawings that have worked themselves into my Bible. Here are a couple of them, transcribed to my Moleskine pocket journal:

Theatrum Dei
Calvin Seerveld
Four Stages of Mastery
Lance Wallnau
As I reflected on the sketches, I thought about the lectures associated with them. Both, Dr. Seerveld and Mr. Wallnau, used Whiteboards for visual aid. I like chalk. It's earthy. I like the residue of words on my fingertips. Sometimes I let it remain. But, this is the 21st Century. This is the age of the Whiteboard.


Fourteen days of "chewin' on somethin' different" remain.


Here is a photo from one of my lectures for you to chew on- 
The Hands and Feet of Art
Michael Carter

Photo by
Samuel Carter

Tuesday, February 9, 2010

On Knowing

"The distance between the heart and the mind
is greater than the distance of heaven to earth."
Rabbi Eliyahu Lopian (1872-1970)


hippopotomonstrosesquippedaliophobia- the fear of long words


The weekend Calvin Seerveld spent in our home, he walked in, stopped, smiled, and said, "Your home is more aesthetically obedient than mine." I have thought about those words many times.
Last night I dreamed I was having a conversation with a student. I asked the student, "What do you know?" They began a response but I stopped them. Again, I asked, "What do you know?! Not, what do you think or believe?" I have been chewing on the question all day.

This morning I read this-
"And as for me, I know that my Redeemer lives, and at the last He will take His stand on the earth." Job 19:25.

This I know-
In words there is life and there is death.

My wife once told me, "You live in your own little world."
Guilty as charged. I'm working on getting out more.

In The Elements of Style, by Wm. Strunk and E.B. White, I just read-

Choose a suitable design and hold to it.
The first principle of composition, therefore, is to foresee
or determine the shape of what is to come and pursue that shape.

I am God's poema, His composition. I have seen glimpses of the shape I am to become, but, as Brancusi said, "To see far is one thing: going there is another."

This I also know-
God loves me.

An Embarrassment
Wendell Berry

"Do you want to ask
the blessing?"

"No. If you do,
go ahead."

He went ahead:
his prayer dressed up

in Sunday clothes
rose a few feet

and dropped with a soft
thump.

If a lonely soul
did ever cry out

in company its true
outcry to God

it would be as though
at a sedate party

a man suddenly
removed his clothes

and took his wife
passionately into his arms.

Saturday, April 11, 2009


Prayer For Joshua




So Joshua called together the twelve men he had chosen- one from each of the tribes of Israel. He told them, "Go into the middle of the Jordan, in front of the Ark of the LORD your God. Each of you must pick up one stone and carry it out on your shoulder- twelve stones in all, one for each of the twelve tribes of Israel. We will use these stones to build a memorial. In the future your children will ask you, 'What do these stones mean?' Then you can tell them, 'They remind us that the Jordan river stopped flowing when the Ark of the LORD's Covenant went across.'Joshua 4:4-7


\ab-ˈstrakt, ˈab-ˌ\ Medieval Latin abstractus, from Latin, past participle of abstrahere to drag away, from abs-, ab- + trahere to pull, draw. 1.not easy to understand because of being extremely complex, remote from concrete reality, etc.; abstruse


I once heard Tony Martin, an artist/pastor from Great Britain give a lecture on Abstract art. It was a small gathering in a Memphis coffee shop called the Ugly Mug. He used the Joshua 4 passage as a defense, or rather, permission for Christians to participate in the production of Abstraction- as a means of presenting the Gospel. It was beautiful. For years I struggled with abstraction. Sometimes a lack of understanding is accompanied by suspicion. I wondered if Abstract art was legitimate, valid, or, as I had been told- 'an inability to do better, a cop out'. In a paper entitled, Toward A Prophetic Aesthetic, Greg Card said, "The challenge is to present/implement something in the material realm that represents the dynamic of the revealed spiritual dimension."

I suppose the thing I struggled most with was the notion that 'art is serious play.'

When Calvin Seerveld stayed in our home, he had a private conversation with Terri about painting. She told him she wanted to be a better realist. He asked, "Why?" It is a simple question with profound implications. He suggested, "enjoy the process, have fun...play with the paint."

And so, the years have passed. My understanding and appreciation continues. My vocabulary of the language of art increases. Sometimes what isn't said speaks loudly. Sometimes it takes the abstract. Thank you Tony, and Greg, and Calvin.


"Certain experiences may be transmitted by language, others-more profound-by silence; and then there are those that cannot be transmitted, not even by silence." Elie Wiesel



Calvin Seerveld and Teresa Carter, seriously speaking on having fun

Wednesday, April 1, 2009

A Temporary Age


Psalm 1, German Psalter, Ambrosius Lobwasser, 1722




When I cannot close my eyes, and the night goes on

Troubles taunt on every side, and my doubt is strong

Shelter me, shelter me

Let the thought of your compassion be my strength

Prince of Peace, shelter me

from the tempest of my unbelief

Mighty God who calmed the sea, come and shelter me.

Bruce Carroll, Shelter Me




Children of the 21st Century are born into a digital landscape. There's is a world of ridges and valleys built upon ones and zeroes. I entered the stage, as Calvin Seerveld puts it, in the middle of the 20th Century- 1956. In 1956 gasoline averaged 25 cents per gallon, a first-class postage stamp was 3 cents, and unemployment was at 4.4%. Woody Guthrie released This Land Is Your Land. Jackson Pollock died. The minimum wage was $1.00 and the average annual salary was $5,300. Something else happened in 1956, something that would change the way we see. Ampex introduced the Quad- a practical, professional videotape machine. In November, 1956, CBS became the first American television network to replace film with videotape.
In my senior year of high school I became fascinated with photography (the word photography comes from two Greek words and literally means writing with light). After reading everything I could find, I built a darkroom in my parents basement, under the stairwell. There was no sink so I had to carry tanks and trays upstairs to a bathroom or outside and use a garden hose. My favorite film was Tri-X, ASA 400, but, if you increased time and temperature in development you could 'push' it to 1600. Favorite developer-D-76. So, what's the point? Shooting pictures on film, for me, was a big deal. For each frame, I had ONE chance. My camera did not have a delete button. When the shutter was released I was committed. So, I framed my shots carefully, composing as I shot. I knew that capturing the image was only the beginning of a lengthy, expensive process. Watching that image appear in the developer was nothing short of a miracle, something 'children of the digital age' may not experience. This is a microwave, high-speed, temporary time in which we live. Did you know you can buy an ink jet printer, with ink cartridges, for less than the replacement ink cartridges cost? Why buy ink cartridges? Just buy a new printer. I suppose visits to Wal-Mart remind me why I love scripture, a reminder that some things are permanent.
I just read this- 'Then God said, "Let Us make man in our image, according to our likeness". When I was nine years old I said "yes" to Him. It was a heart/soul/mind yes. So, I am still in the developer. And it is a lengthy, expensive process.












Tuesday, March 17, 2009

Age of Wonder


We live in an age of Wonder. With a small device known as the iPod, I can listen to a lecture by Calvin Seerveld or music by Michael Card, while walking around a lake.
But, as fascinating as that may seem, nothing beats a good conversation. This weekend I had a good conversation with my son. We camped, we fished (well, we cast rubber worms into the lake), we ate...alot. Two teenage guys can put some food away. I let the boys plan the menu:
Breakfast
Eggs, Toast, Bacon (thick), Doughnuts, Orange Juice, Coffee
Lunch
Hot Dogs, Chips, Trail Mix, Salsa, Mountain Dew
Dinner
Steak (Marinated 24 Hours), Stuffed Baked Potatoes, Salad, Crusty Bread
and, of course, snack stuff.

After many words, and some laughter, I realised that moments like we were enjoying don't happen often enough. I realised my youngest son is not a little boy any longer. I realised the generational gap between us doesn't have to come between us. And, as I listened to my son share his thoughts, I remembered being a teenager.
Relationships are fragile. I have seen a few broken, some of which are credited to my account. Regret is a terrible companion. As the days speed by I am trying to work on the relationships I have left. In order to do that, I need to learn how to be a better listener.